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MM.FOOD finds DOOM digging deep into vocal soundbytes related, as well as fitting to his namesake and artistic vision, meticulously building a cohesive album narrative.
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While all of those projects have been revered by fans and critics alike, MM.FOOD is the only album that officially exists as the proper follow-up to Operation: Doomsday. One apex point along that journey took place circa 2003/2004 with DOOM releasing Viktor Vaughn Parts 1 & 2, Madvillainy with Madlib (a legend in his own right), King Geedorah’s Take Me To Your Leader, and MM.FOOD all in that short and explosive timeframe.
#MM FOOD MF DOOM VINYL DOWNLOAD#
Also check quick rotation favorites "Guinnessez," "Kon Karne" and "Deep Fried Frenz." A necessary album for the true school head MM.Food is perhaps a bit older and more cynical, but just as clever and exciting.Vinyl Packaging: Custom green & pink double vinyl with 12” tip-on gatefold jacket, dust sleeves, and free digital download card.Īfter re-launching his career in the late nineties with a string of singles on Fondle Em Records, leading up to the instant-classic Operation: Doomsday album, MF DOOM relentlessly pushed forward, always innovating along the way, building what has become one of the most storied and revered careers in the world of Hip Hop. The collabos are done tastefully and without fanfare, with Lab hero Count Bass D's "Potholderz" the standout. Grounds for complaints, perhaps, but I'm not left wanting more. Two of the songs were previously released (the Stones Throw fan club 45 "One Beer" and the Molemen-produced gem "Kon Queso," called "Yee Haw" when it was an indy 12-inch single), and the middle 5 minutes of the CD are taken up by a funny and beautifully absurd collage of found sound. By today's standards (hey Nas), the album is short barely cracking 45 minutes. And the true virtuoso makes the very difficult look easy: songs are filled with nonchalant phrases that stick in your skull ("frown like the first time you taste couscous")- and just try to repeat some of those palate-mangling syllables.
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Doom finds seemingly endless ways to cover it ("MCs is crabs in a barrel pass the Old Bay," "Out of work jerks since they shut down Chippendale's"), lacing almost every line with multiple internal rhymes that place the lyrics halfway between poetry and tongue-twisters ("If I had a dime for every rhymer that bust guns / I'd have a cool mil for my sons in trust funds"). Take a look at how he treats wack rappers, a grade school-level subject worn to threadbare tatters by a generation of MCs. Indeed, in a just world, Dumile would be a poet laureate, officially recognized for his genius-level skill. Over his own Lite FM-inspired beats ("Hoe Cakes" loops Anita Baker), Doom muses over topics close to home (girls, weed, friends), always with an eye to absurd and apt detail that places him in the company of the greatest poets. This album is organized around the food "concept," but as always the song titles are simply jumping-off points for Doom's uninhibited imagination. He's hardly been out of sight since 1999's Operation Doomsday, but a new release under the name that seems nearest to his heart is something special. There's a lot of hubbub in the rap cognoscenti around this new release from Daniel Dumile, man of a thousand (well, at least 5) names.